Warren Ellis | Crooked Little Vein

I’m halfway through reading Crooked Little Vein, by Warren Ellis, for the second time. Ran out of library books, due to my reading too fast and not anticipating that there wouldn’t be anymore at the library waiting for me, so here I am, reading Crooked Little Vein again, a mere two weeks after I finished it for the first time.
Which means two things: One, i need to keep better track of the books on my library Hold list and Two, Crooked Little Vein is a great book.
Oh, and Three, I really need to pay the $10 in library fees. Okay, so that’s the real reason. I don’t wanna pay the $10, not yet. Maybe next paycheck.
In any event, second time around on CLV is really just as good. It’s that kind of book. Not Great in the sense that kids’ll be studying it at UCLA, or great in the sense that there’ll be conventions around it with folks dressed up as peripheral characters.
Rather, it’s great like a great record(sorry, album, no, cd, shit, what the fuck do you call a collection of mp3s released as a whole by an artist these days?), one that you put on, soak up, then immediately set back to the beginning, so you can do it all again. The surprises in CLV read different but equally as entertaining the second time around, and now that I know the ending there’s a comfort in not being horribly disappointed by a plot turn or the possible clusterfuck of a bad ending.
It reads like much of Ellis’ other work, synthesizing genre fiction with his love of the sheer horror that is our global culture, all the things that at first glance exist only on the outskirts, but upon greater reflection, sit right next to each and every one of us. There is a freak everywhere, he insists, and as such, can anyone really be considered a freak anymore?
Also, it’s damn funny. Funny gross evil funny. Funny like a unicorn vampire. But better.
Go get it. It’s a li’l hardcover, cute and adorable with a black cover and then you read some and there’s some wrong in that book. Some wonderful wonderful wrong.







