I can’t write reviews, not really. I’ve tried, done an admirable job, but really, I’m no music critic. Can’t play any instruments (unfortunately, being an amazing whistler apparently does not count), can’t read music, don’t know from music theory. All I know is that some records, most records, sound like crap, and a rare few don’t.
But I listen to a shit ton of music, more than is legally allowed, definitely. And hey, since you’re here, and I’m here, let’s talk about a few albums I’ve had in rotation of late. No judgments (BOLD-FACED LIE), just talk. No big whoop.

NINE INCH NAILS | Ghosts I-IV
I haven’t much liked Trent Reznor’s music the last few years. Sounds like he’s basically recycling old songs and ideas, nothing new in the mix. And the last thing I want to do is pretend it’s 1996 again. That year sucked balls.
But I’ve always kind of dug his instrumental work, less pretentious, let Important, just interesting music. So this new 4 album set of solely instrumental work? Fresh. Nothing earth-shattering, but enjoyable. Good on the plane on the way to NYC, big island o’ steel that it is. Even better after that first seven n’ seven, mm hm.

THE BLACK KEYS | Attack & Release
Big fan of these guys, but their last album was stuck in the mud. These dudes had me locked in after their live set at Coachella few years back, and then they go and get all boring. That show wasn’t cheap, dudes.
Fortunately, their new disc is far better, lot more like a blues album, which is a-okay. It’s produced by Danger Mouse, and you gotta be racist not to like his stuff. Yeah, I said it. The album isn’t a huge leap, isn’t a huge diversion, but is just plain old more interesting. Definitely straying from radio-friendly songs, more dynamic, good stuff.

PANIC AT THE DISCO | Pretty. Odd.
Don’t look at me like that. Elitist. I already know what you’re going to say, just hear me out.
The single, Nine in the Afternoon, grabbed me. It was just plain strange, and not what I was expecting from an emo-pop pretty boy band. So I got the album. And damned if it isn’t horrible. Shit, just thought about that, I wonder if it IS damning. Does listening to Panic at the Disco mean I’m going to hell? Entirely possible.
But shit, it’s actually quite pleasant. Easy description: emo meets Sgt. Pepper. Seriously. Much like Cobra Commander stole the DNA of the world’s worst dictators to create Serpentor, these kids have dug up the Hearts Club Band, boiled it, then shot themselves up with the Beatles juice.
And it works. It’s not gonna save anyone’s life, or cure syphilis, but it’s fun, and interesting.
But don’t ask about the lyrics. Even I can’t be expected to listen that close to these guys.

THE RACONTEURS | Consolers of the Lonely
Funny story about this one: It’s supposed to come out tuesday, both digitally and on hard vinyl/cd/tape. If there’s still tapes.
Anyway, it was accidentally released onto iTunes. Three days early. Heh. And though it was quickly removed, it took less time than it takes the Russians to shut down the Estonian government’s website for the album to makes its way to file-sharing networks. Good or bad, the industry’s fucked.
But the album’s not! Hey-o, it rocks! RAWKS.
Not really, but it’s good. It’s more blues/rock/white stripes magic. Like the last album, it’s got Jack White sharing the lead with Brendan Benson. Unlike the last album, it’s got more than two white-hot singles and a bunch of too experimental filler. It’s a lot more even in quality, and actually far more interesting by being more conventional in the song-writing.
That almost sounded like something a smart person would say.
They got some bluesier jams, bunch of songs got some fresh horns in the background. I got this one on “repeat,” heard it about six times since Saturday.
That’s all for now. Go “acquire” these, let us know what YOU think.